Well, it looks like I spoke too soon. Spring DID seem right around the corner, but last night it started snowing -- the beginning of what the weather people were calling a "nor'easter" -- and this morning, the lawn which yesterday had been not green, really -- more like a mottled melange of greens and browns and yellows -- but certainly not white -- is once again covered with the frozen fluff.
I'm not sure if the activity I am about to describe is some kind of mental survival mechanism that I have established for myself to help combat late winter feelings of depression, but I do know that it has been a lot of fun.
The activity I am referring to is the making of fruit salads.
I've always loved fruit salads -- good ones, anyway -- and the last few months I have been making a large one every week, on average. And they are pretty big -- filling most of Jeannine's largest stainless steel mixing bowl, which measures sixteen inches across at the top and five and a half inches deep.
It's really too much for the two of us to eat before it goes bad, and I know that… but I keep making these big fruit salads. I think part of it is the sheer pleasure I get from seeing this enormous mound of sliced and chopped fruits, all those lovely colors and glistening, tasty bits.
So rather than waste the extra fruit salad, I have been packing the excess into snap-lock top containers and bringing them around to various friends and family members. It's fun to do, and I get to see and talk to some people I ordinarily wouldn't see very much. And they all seem to enjoy eating the fruit salad.
What follows is a group of photographs showing the stages of one of these fruit salads I made last week. I didn't have any raspberries or blueberries for this one, and those are usually favorite ingredients of mine. But it turned out pretty well anyway, I think.
First up: kiwis. I love these things, though I hate peeling them. I did discover a few weeks ago a little trick -- I reversed the order in which I prepped them. Previously, I would peel the whole fruit, except for the inedible ends, which I would later cut off before slicing up the kiwis to put in the salad. Now I cut off those ends first, and it makes the peeling go much easier, for some reason.
Second ingredient: mangoes. Another of my favorites fruits, though I still don't know how to pick the really good ones -- the ones which have creamy, orange-yellow insides, with few if any fibers running through the flesh. At least on this occasion they were of good quality.
Third are Shingo pears, from Korea -- very juicy and crunchy, but without much in the way of real flavor.
Fourth came the apples -- this time, two varieties: Granny Smith and Fugi. It is at this stage that I use a trick I found out about some years ago to keep the exposed peeled and sliced apple pieces from browning. I slice a lemon in half, and squeeze it over the apples. I also do the same with a lime -- I like the zingy citrus flavor both fruits add.
Fifth step was cantaloupe.
Sixth in line was pineapple, made easier by the pineapple slicer/corer I first used about six years ago, I think. It's ridiculously fast and easy to use, and turns what was once a dreary chore into something you can do in a couple of minutes.
Seventh -- more cantaloupe!
Eighth, I added some red plums. These are not available all through the year here in Massachusetts, so when they do start showing up at the local grocery store, I make sure to get some.
Ninth was oranges. I discovered a few months ago that a good way to add these wonderful pieces is to cut the oranges in half, then slice out -- with two shallow cuts -- the pithy cores from each half, and then slice each half into about five wedges. The next step is to turn each wedge upside down, and use a smaller sharp knife to slice the fruit loose, just inside the rind. It takes some time, but the upside is that you get very juicy pieces of orange, and I think they go great in fruit salad.
Tenth -- and final, for this particular salad -- ingredient was strawberries.
Then comes one of my favorite parts -- mixing it up, so all the contrasting colors, textures and shapes come together.
(Of course, my real favorite part is EATING it!)
And here is the result, ready to be distributed.
Well, at least the two on the top -- the one on the bottom was for us. -- PL
Friday, April 1, 2011
Wednesday, March 30, 2011
Signs of spring
Although there is more snow predicted for this week (damn it!), today there were also two signs of spring.
First, I took my first motorcycle ride of the year! I got the DN-01 out of mothballs and rode it down to Mirage -- not a long jaunt, but enough to whet my appetite for more.
Second, while we taking Parker for a walk, Jeannine spotted this crocus on the side of our driveway:
Surely, spring cannot be far away.
Please? -- PL
First, I took my first motorcycle ride of the year! I got the DN-01 out of mothballs and rode it down to Mirage -- not a long jaunt, but enough to whet my appetite for more.
Second, while we taking Parker for a walk, Jeannine spotted this crocus on the side of our driveway:
Surely, spring cannot be far away.
Please? -- PL
Sunday, March 27, 2011
Review: "The Thin Black Line: Perspectives on Vince Colletta, Comics Most Controversial Inker"
In February of 2011, I stumbled upon this book while looking for something else on amazon.com, and immediately knew I had to read it.
Vince Colletta (1923-1991) was a prolific inker of comic books from the 1950's until his death in 1991, and I first became aware of his name and what he did when I was turned on to the Marvel Comics' work of Jack Kirby. I discovered these comics -- "Fantastic Four" and "Thor", particularly, in a used bookstore in my home town of North Adams. The store had a large shelf in one of its front windows upon which were piled a variety of secondhand comics which the store was selling for a nickel or a dime apiece. I found a lot of treasures there, but it was the Kirby stuff that really grabbed me… grabbed me, and held on until this very day.
One of those comics, "Thor", was regularly inked by Colletta, and it was apparent to me that there was something different about it, different from the other Kirby comics that I saw, like "Fantastic Four", which had -- for a long part of Kirby's run as penciler on it -- another inker, Joe Sinnott. The styles of the two inkers were very different, and I preferred Sinnott's… it just seemed to fit the boldness and strength of Kirby's drawing style. Colletta softened Kirby's lines and shapes a lot more than Sinnott.
But I didn't hate the work that Colletta had done on Kirby's "Thor", and that was because when you have pencils as unique and distinctive as Kirby's, it is hard (though not impossible) to ruin them with the inking, unless it is truly sub-par and nonprofessional. Colletta was a professional (something that is made clear in this book). I enjoyed the "Fantastic Four" comics because of Kirby's art, faithfully rendered in ink by Joe Sinnott… and I enjoyed the "Thor" comics in spite of Colletta's inking, because the distinctiveness and power of Kirby came through, even with the soft-focus filter of Colletta's "thin black line".
Fast-forward a few years, and I found myself in possession of an original Colletta-inked Jack Kirby page from "Thor", purchased at a New York City comic book convention. To own a page by my favorite comic artist -- awesome! And then, as I pored over it, looking at all the details not immediately apparent in the printed version, I started to see some disturbing things. When I tilted the page just so, and the surface of the bristol board caught the light just right, revealing the impressions Kirby's pencil point had made, in some panels I could see where detailed figures had been drawn… and then erased. In other panels, figures in silhouette -- outlines filled with solid black -- revealed themselves to have originally been drawn in fully-detailed costumes.
I was stunned. I could not fathom the audacity of anyone assigned to ink a comics page -- any comics page, let alone one of Jack Kirby's -- taking a penciler's detailed drawings and just filling them in with solid black ink… or erasing details on a whim. This was the beginning of my distaste for Vince Colletta's approach to inking, and it grew stronger as, over the years, more and more information became available, especially through the reproduction of Xeroxes of Kirby's penciled pages before Colletta inked them. It became abundantly clear that a great deal of what Kirby had created had vanished under the brush and pen (and eraser) of Vince Colletta.
And this book, "The Thin Black Line", makes it clear that this was not an isolated event -- Colletta did it with practically every pencil drawing he touched, every comics page he inked. Many different comics artists were interviewed for the book, and almost every one of them says the same thing, with varying degrees of vituperation: Colletta ruined the pencilers' work… or, at the very least, turned it into just another hacked-out example of the "assembly line" look that typified a lot of Marvel and DC comics in the decades during which he worked the most.
However, the book does very clearly explain why Vince Colletta got all the work he did -- he was FAST. He was reliable, and would take on almost any job, even last-minute ones which needed to be done over a weekend. And, truth be told, even at his worst, his work maintained a minimum level of the "professional" look required for a newsstand comic book.
And it does make a certain amount of sense that a guy who could throw down the ink so quickly -- sometimes inking a book in a few days -- would be appealing to those in charge of the business part of the world of comics. Those folks weren't always that concerned with maintaining a high level of artistry -- if they could get that, fine, but what they REALLY paid attention to was making printing and shipping schedules.
It had been a while since I had looked closely at Vince Colletta's work, and seeing all the examples in this book made me admit -- a bit grudgingly, I have to be honest here -- that the man did have talent, and -- as many of the interviewees in "The Thin Black Line" attest -- when he took his time, Colletta could turn out some nice work. He was far from the worst inker ever employed by Marvel or DC. And for some things, in some cases, his style improved, or at least didn't degrade, the work of the penciler.
"The Thin Black Line" is an interesting book, especially for those of us who came of age reading those wonderful Marvel and DC comics of the era in which Colletta did most of his work. It offers a fascinating behind the scenes look at the comics industry, and even if you have no interest in Colletta per se or any of the pencilers he inked, it's still an intriguing glimpse into the business of comics.
But… I know that when I'd finished reading it, and felt like I had a greater appreciation for what Vince Colletta did, why he did it, and -- perhaps even more important -- why he was ALLOWED to do it, I still felt cheated out of who knows how much great stuff, especially great Kirby stuff, that I never got to see… stuff that was there in the pencils, but when they got handed over to Vince Colletta, that stuff disappeared. If the publishers were so concerned with meeting deadlines, and they also preferred inkers who could be more faithful to the pencilers' intent, why didn't they spend a few more dollars and a little more time and go out and FIND good inkers? I mean, surely there were enough people out there who knew how to wield a brush and/or pen, and who would have done so without erasing important details, or obscuring them with solid black silhouettes, or simplifying them just to make the work go faster.
In the end, it comes down to this, at least for me -- as someone who has been both a penciler and an inker, I know that I would NEVER, to make my job easier, turn another penciler's detailed figure or building or vehicle or whatever into a silhouette, or erase them because I didn't think they needed to be there… and I would be furious if anyone who inked my pencils did that to them. It is just wrong. -- PL
Thursday, March 24, 2011
About the future of this blog...
Sometime soon -- perhaps in the next couple of days, or maybe even tonight if I get a burst of energy -- this blog will no longer feature stuff relating to "Teenage Mutant Ninja Turtles". All of that material -- and any new TMNT-related items I put up in the future -- will be viewable on a NEW blog, at this URL:
http://peterlairdstmntblog.blogspot.com/
Once this happens, I will not be answering TMNT-related questions or responding to TMNT-related comments on this blog's posts. In fact, I will be deleting such comments from any posts on this blog.
However, I will be happy to respond to TMNT-related questions and comments on the NEW blog, which is very cleverly named "Peter Laird's TMNT Blog".
This blog -- palblog -- will now focus on all the stuff I like to put up which has nothing to do with the Turtles. There may be a TINY bit of overlap -- I may mention the TMNT in passing on this blog -- but from now on, I plan to keep the two worlds separate. -- PL
http://peterlairdstmntblog.blogspot.com/
Once this happens, I will not be answering TMNT-related questions or responding to TMNT-related comments on this blog's posts. In fact, I will be deleting such comments from any posts on this blog.
However, I will be happy to respond to TMNT-related questions and comments on the NEW blog, which is very cleverly named "Peter Laird's TMNT Blog".
This blog -- palblog -- will now focus on all the stuff I like to put up which has nothing to do with the Turtles. There may be a TINY bit of overlap -- I may mention the TMNT in passing on this blog -- but from now on, I plan to keep the two worlds separate. -- PL
Sunday, March 20, 2011
Kennbunkport (and elsewhere)
I haven't blogged in the last few days, and that's partially becauseI have been otherwise occupied enjoying a brief spontaneous vacation with my wife in Kennebunkport, ME.
Jeannine had learned a few months ago of an interesting new bookstore in Kennebunkport, called "Kennebooks", and in January of this year we had given some thought to driving up there and staying in what appeared to be a very nice inn called the White Barn Inn and Spa (something I had stumbled upon while researching Kennebooks' location on Google maps) for my birthday. But January and February were months with a lot of snow and cold weather, and we figured it might be better to wait for better climatic conditions for our initial visit to Kennebunkport. (Curiously, though we have been to the southern coastal area of Maine many times for vacations (pretty much every year since Emily was a baby), we had never been to Kennebunkport, which is really not very much further north from Ogunquit or Welles.)
With the weather starting to look better here in western Massachusetts, and the snow fairly rapidly receding, we decided to take a chance and go up to the White Barn Inn for a couple of nights. As it turned out, this decision dovetailed nicely with a talk about writing that Jeannine was scheduled to give to a group of teachers at the Phyllis Allen Smith North Shore Council of the International Reading Association meeting in Danvers, MA. That town is north of Boston and only about an hour from Portsmouth, NH, which we decided would be our first overnight stop on our way up to Kennebunkport.
I helped Jeannine get set up (mostly getting the projector and computer ready for her Keynote presentation) and wandered around taking photographs of the room and some of the people there. Jeannine introduced me to the vivacious Elaine Magliaro, retired teacher/librarian and current writer of poetry for children, and the person who invited Jeannine to the event (and who graciously allowed me to sit in and eat dinner with everyone), and also to a very nice young woman named Grace Lin, an author/illustrator she'd met some years previously, who came to the event just to see (and listen to) Jeannine. Grace had had several books published, including her Newbery-honored "Where the Mountain Meets the Moon", a book she wrote and illustrated. (I got to see this book the next day at the Dover Public Library, and was impressed -- I have not yet read it, but the illustrations were very cool.)
Before Jeannine's talk, there was about half an hour during which people could buy copies of a variety of Jeannine's books and get them signed, and while that was happening I got a chance to chat with Grace a little bit about the world of illustrating, something I hope to get back into, and she gave me several useful tips.
Jeannine gave a hour-long talk, which held everyone's attention (not an easy feat when dinner follows the talk and people are already hungry). The food afterwards was great, and we enjoyed talking to the teachers who sat at our table.
Following the talk, we packed up Jeannine's stuff and headed up to Portsmouth, one of our favorite towns. The following morning, we ate breakfast at Popovers (I mentioned this place in my blog last year), and I had a wonderful thing they described as a "breakfast quesadilla". Very yummy! Check it out...
I have more to write about but the sun is shining, it's almost one o'clock, and the temptation to get out on my bicycle is just too strong -- I must go! I'll be back later. -- PL
-------------------------------------
Okay, I'm back -- had a nice bicycle ride out to Hadley on the bike path, and stopped at Panera Bread for lunch after picking up a magazine or two at Barnes and Noble. It is SO nice to be able to get out on the bike again after this long, snowy winter.
So after breakfast in Portsmouth (and a hour or two for Jeannine to write while sipping coffee at Popovers), we checked out of our hotel and got on the road, first stopping at an historic site in Portsmouth that I'd remembered going to once, years ago, with Jeannine and/or Emily. It was called Fort Stark, and it is essentially an abandoned shore defense installation from World War II. My slightly shaky memory of that single visit some twenty-five or more years ago included this detail -- that the site was on or at the end of a street the name of which had something to do with either things floral or things fruity. As it turned out, when I did some searching online the previous night, it was on Wild Rose Lane in New Castle, NH. (I love it when I come across evidence that my memory of certain things is not ALL that terrible.) The site was not open yet (I guess their season has yet to start) and the parking lot was closed, with ominous "No Parking!" signs all around the small lot outside the gate. So we just stayed a few minutes, allowing me to take some shots of one side of the site. Here's a small panoramic view:
I hope to get back there when the site is open, and roam around the grounds so I can take a lot more photos.
Jumping back in the car, we headed toward Maine. We decided to stop in Ogunquit and have lunch, and picked up some food at a store in the center of town. We found a vacant bench at the south end of the Marginal Way -- not very far, in fact, from "Johnny's Oarweed", a seafood restaurant where a young Kevin Eastman used to cook lobsters -- and ate our lunch, per Jeannine's wise suggestion, while watching (and listening to) beautiful waves crashing on the rocks in the cove.
We continued to follow Route 1 up to Kennebunkport, arriving at the Inn about forty-five minutes later. The staff could not have been more friendly and gracious, and they showed us to our cottage, which was about a quarter of a mile from the Inn proper, and situated on the shores of the Kennebunk River. It was small, cozy, quiet and tidy, and we loved it. (Except for the Wi-Fi -- the signal was pretty weak inside the cottage, leading to a frustratingly sporadic connection. If i hadn't discovered that sitting outside on the front steps of the cottage provided [for whatever reason] a much stronger signal, we would have been virtually Internet-less. Horror!)
We did find Kennebooks (in fact, drove right by it on our way into Keenbunkport) and thought it was pretty cool. And even though it was Saint Patrick's day, and we thought we might have trouble finding a place to eat supper in town that evening, we ended up having some decent Mexican food at a joint named Pedro's, which the proprietor of Kennebooks had recommended.
The following day, we had AMAZING weather for March 18 -- sunny and 70 degrees! -- which made our excursion to check out Kennbunkport's beaches quite a pleasure. First we drove to Goose Rocks Beach, stopping along the way in Cape Porpoise to pick up some food at a deli called the Cape Porpoise Kitchen.
It was great food, but what we didn't count on was the brisk wind that kicked up when we settled down on the beach to eat -- blowing sand all over, which was fun to watch, but not so much fun when some of it got into our food. (It made me wonder -- and remark to Jeannine later -- if dentists in coastal areas see more damage to people's teeth from eating sand in this manner than their counterparts inland do.)
Here's a photo of the sand blowing across the beach, although a still image doesn't really do justice to the sinuous undulations of these sand waves. They really were quite beautiful.
I spent some time taking photographs of some of the interesting textures in the beach sand -- I love looking at these things. Here are a few examples:
We walked to the north end of Goose Rocks Beach, then turned back. I saw this single clam shell on the beach, and liked the way it looked against the backdrop of the ocean, the sky and the sand:
And this one I like for several reasons, mostly the light reflecting on the water and the wet sand, and the frozen moment of Jeannine's forward stride, as she is made almost a silhouette by the bright sunlight:
It was a wonderful day, with wonderful almost summer-like weather. So you might be able to imagine my reaction when, upon awakening the next morning, I rolled up the window shade near to our bed in the cottage and saw this:
SNOW!
I couldn't believe it. I stared at it, and then just started laughing. I mean, it was just so absurd, to go from almost summer conditions the day before, to a snowfall the following morning. I kept chuckling that morning, every time I thought about it.
Now, if the snowfall had been heavy, and there had been a serious accumulation, then I would probably not have laughed so much. But this flurry didn't last too long, melted pretty quickly, and was actually kind of pretty while it lasted.
I tried to get in touch with Steve Lavigne while we were there, because he and his family live within a half hour's drive of Kennebunkport, but once again I didn't plan it well (i.e. waited too long to call him) and it didn't happen. Next time, Steve!
Jeannine and I had a great time at the White Barn Inn, and hope to go back again. The staff was incredibly nice and helpful, and the food (we had breakfast there twice) was excellent. I'm not sure if it would be as quiet and restful during the peak summer season, but in the spring or fall I think I'd like to spend a few more days in one of those cottages.
Heading home on Saturday, we decided to stop once more in Dover. I had mentioned to Jeannine that she might like this cafe I'd eaten at last year, "Cafe on the Corner" at 478 Central Avenue, a new eatery in what was once one of our favorite places in Dover, an ice cream bar. And, I told her, there's a bookstore right across the street.
She enjoyed the meal at the cafe, but wasn't too sure about the bookstore -- Baldface Books at 488 Central Avenue -- until she discovered their extensive poetry section in the back, which she loved. We each left the store with several book purchases, including one which I bought partly because it was so cheap ($1.50) but mostly because it had some illustrations which I found intriguing. It was a Scholastics Books paperback titled "The Monsters' Room" (original title: "Peter's Angel"…!? Go figure…), and it contained a number of black and white illustrations by someone named Lilian Obligado. They were really nice, apparently drawn in pencil, with a lot of energy in their subtle shadings. I plan to look for more of her work.
And then it was back on the road home, although we did make another bookstore stop -- the Toadstool in Keene, NH (a GREAT bookstore).
Not a bad little vacation. -- PL
Tuesday, March 15, 2011
Blast from the Past #358: Big-headed alien green bug
I decided to title this entry with the name I gave to the digital file for this piece, becuase I couldn't really think of a better way to describe this odd drawing.
I think it dates from the early 1980's, but it could have been drawn a little earlier. What is curious to me is that I spent the time and energy to color what is obviously a quick doodle (as evidenced by the somewhat scrawly nature of the linework). It doesn't appear that I did any preliminary penciling before jumping into inking it. Given that I have never been one to do much in the way of color (something I am TRYING to rectify now), and almost always on drawings that were at least carefully drawn, WHY did I go to the effort of coloring THIS goofy thing?
I can only guess.
Regardless, I kind of like it. -- PL
I think it dates from the early 1980's, but it could have been drawn a little earlier. What is curious to me is that I spent the time and energy to color what is obviously a quick doodle (as evidenced by the somewhat scrawly nature of the linework). It doesn't appear that I did any preliminary penciling before jumping into inking it. Given that I have never been one to do much in the way of color (something I am TRYING to rectify now), and almost always on drawings that were at least carefully drawn, WHY did I go to the effort of coloring THIS goofy thing?
I can only guess.
Regardless, I kind of like it. -- PL
Monday, March 14, 2011
Blast from the Past #357: Triceratops logo image, airbrushed version
I have posted a couple of different versions of this image I'd drawn for self-promotional purposes, but just recently came across what I think was the final version. I am pretty sure this one was never actually used for anything -- it was just an exercise to see if I could work with an airbrush. -- PL
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