Wednesday, October 12, 2011

Review of "Robopocalypse", a novel by Daniel H. Wilson



I just finished reading "Robopocalypse" by Daniel H. Wilson. I was originally sucked into buying the book by the title (which seemed cleverer then than it does now) and the cover (what appears to be a photograph of a shiny white robot face -- almost a glazed ceramic look).

I don't believe I have ever read anything by Wilson, but I found his writing to be compelling and exciting, and the concepts he came up with the war of the robots on humanity pretty intriguing. It's safe to say that I enjoyed reading this book.

There's only one problem with it, and it's a big one -- he gives away the ending on the first page. Not in explicit detail, but it is clear and certain that one side has won the war. 
It's a credit to his writing skills that even with that unfortunate reveal, I wanted to continue to read the remaining 346 pages. But… I can't shake the feeling that this could have been a spectacular tale of suspense if the author had not telegraphed the denouement on the first page.

And the obvious -- TOO obvious, in my opinion -- set up for a sequel is unfortunate. It's pretty blatant, and really unnecessary.

One other thing that bugged me was the structure of the novel, where each chapter is presented as a reconstruction of events based on date taken from various sources -- security cameras, robot memory cores, and so forth. It is a clever conceit, at first… but about a third of the way into the book I started to realize that -- given the way the author actually writes each chapter -- it's no better than a standard "omniscient" point of view. (There's probably another term for that in the world of literature.)

I can recommend this book -- just don't start with the first chapter, which is titled "Briefing". Instead, jump ahead to page 13 and begin with "Part One: Isolated Incidents". 

It might work better that way. But maybe not. -- PL

Tuesday, October 11, 2011

"Picket Line" by Breena Wiederhoeft... and a very nice "Thank you!"

Occasionally, I will get a note from a recipient of a Xeric Foundation comic book self-publishing grant, usually thanking the Foundation for the grant. But a few days ago I got a REALLY cool one.

There was a large -- about 11" by 15" --  envelope leaning up against my office door at Mirage, and when I opened it, there was this:


Breena Wiederhoeft, writer and artist of a graphic novel titled "Picket Line", a copy of which was also at my office door (here's the cover)...




... had created this incredible, elaborate "Thank You!" in the form of a full-color page of comics, featuring the TMNT and her character "Rex" from "Picket Line". And not only did she send a nice color copy of the art, she sent the ORIGINAL! Wow. Thanks, Breena! -- PL

To find out more about Breena's work and her graphic novel "Picket Line", you can go to her website, "Easel Ain't Easy" at this URL:

Thursday, October 6, 2011

Steve Jobs 1955-2011



I saw the news last night that Steve Jobs, co-founder and former CEO of Apple, had died after struggling with pancreatic cancer for years. Like many people whose lives have been greatly changed by the products he helped innovate and bring to market, I was saddened to hear of this… even though, with the reports of his health issues over the last couple of years, it didn't come as a complete surprise.

I think I became a "Mac Guy" sometime back around 1989 or so. I had been using an Atari ST computer for several years, and was pretty happy with it. Then my friend Rob, who was doing graphic arts work at a small design company across the parking lot from the new Mirage offices, showed me this thing called "Photoshop" -- I think it was version 1.5 or something, still only handling black and white and greyscale images -- running on the Mac IIfx (at that time the "hot rod" Mac) he was using.

After picking my jaw up off the floor, I knew I had to get with the program (literally!) and become a Mac user. It wasn't long -- probably a couple of weeks -- before I had my own Mac, a IIfx model with a gigantic 250 megabyte hard drive, running Macintosh operating system version 6, I believe. I still have it, though it hasn't sounded its happy start-up chime for many years. It sits on a table in my barn, beige case slowly yellowing with time.

But it was the start of a love affair with the Mac platform which is still going strong. I'm typing this blog entry right now on a MacBook Pro laptop, which is so much more powerful and capable and compact than that first Mac IIfx that comparisons such as horse and carriage to automobile come to mind. But the key elements that made the Mac so appealing to me from the day I tried one -- and these are elements which, I think, can be directly attributed to Steve Jobs' influence -- are still there: the ease of use, the directness of the interface, the sense that this was a computer made for people to use for work and play without getting in their way.

I remember being somewhat flabbergasted when, after Jobs had come back to Apple after going off and starting his own computer company called NeXT (yes, I bought one of those too, and the less said about that the better), and one of the first new versions of the Mac that came out after he'd returned was the first iMac, a kind of cool-looking all-in-one gizmo which -- SHOCK!!! -- did away with the floppy disk drive, and -- perhaps even more profoundly influential, eventually -- got rid of the SCSI and Appletalk and ADB connectors in favor of a relatively new connection technology called "USB". I wondered how I would cope without floppy disks… and discovered pretty rapidly that life without them was not so bad. Better, in fact. And USB became well-loved, especially for those of us who had fretted and fumed while dealing with SCSI and its frustrating quirks over the years. Now, it's hard to find a computer or electronic device which doesn't use some form of USB.

It's been said the the iMac was the computer that saved Apple, and I think there is a lot of truth to that. It was certainly a huge hit, and led directly to the models which we enjoy today.

Obviously, Steve Jobs didn't do it all. There were a lot of talented people working at Apple who helped to bring these amazing products to market. But it is telling to remember what Apple products were like during the time when Jobs was not at the company, and what they were like after he returned. It was really night and day. Without him, and his innovative ways of thinking about these things, life with Macs would have been greatly different.

I hope the people who now run Apple have learned enough over the years from Jobs that the company will continue to surprise and delight us with amazing things like the MacBook Air, the iPhone and the iPad, to name a few. I guess we'll have to wait and see. -- PL

(The image I used at the top of this entry is one I found at


this morning when I was reading various testimonials about Steve Jobs. There were a lot of different photos of him and graphic tributes to him, but this one seemed the most poignant, for some reason. I don't know who created it. -- PL)

UPDATE 10-07-11: Now I know who created that moving visual -- a gent by the name of Ben Hughes. He left a comment on this post, as follows:

"Hey there!

It looks as if you didn't know where the original image in your post came from. FYI, I created it and originally posted it to my Tumblr. Feel free to link back to the original posting! http://obh.me/pmz6QT

Thanks for including my work in your memory of Steve."


Thanks, Ben... great work! -- PL

Sunday, October 2, 2011

Even more turkeys

Coming home yesterday, I rounded a corner and saw this...



Unfortunately, (a) it was raining, and (b) I didn't have my camera with the good zoom lens with me, so I had to snap these shots hurriedly with my little pocket camera from the front seat of my truck. But I think they came out okay, nonetheless.

They crossed the road at their usual stately pace, hopped up on the guardrail...



... and then flew off. I wish I had been able to capture some images of them on the wing.

Love those turkeys! -- PL

Tuesday, September 27, 2011

Burlington Book Festival

We just got back from a few days in Vermont -- mostly at the Burlington Book Festival in the town of that name on the shores of Lake Champlain. Jeannine had been invited to take part in "Youthaplooza!", which was the part of the festival devoted to children's books.

     On the drive up to Vermont, we stopped in my home town of North Adams for a lunch break, and walked over to Mass MoCA, the huge modern art museum in the old Sprague Electric factory complex, to see if their cafe might serve that purpose. The menu didn't thrill me, so we decided to seek nourishment elsewhere, but there was something pretty nifty in the courtyard outside the main entrance to the museum -- an abstract sculpture made up of what must have been thousands of small, shiny spheres made of black plastic.




    The plaque on one corner of the sculpture's base identified it...




... but regardless of what obscure name was given to it by the artist, the sculpture was very impressive as a presence. And I have this personal predilection for things made up of many smaller things, so I found this very appealing.

    Here's a panoramic view of the entire piece, with Jeannine giving it the once-over.




Although we did not eat at Mass MoCA's cafe, we did find a nice place across the street. It was called "Brew Ha Ha", and they had very good sandwiches, salads, and coffee. I tried to convince Jeannine to buy one or more of their delicious-looking muffins, but she declined. What willpower!

Our original plan was to just spend two nights in Burlington, but as it worked out, we were able to squeeze in another night in Manchester, VT -- just about halfway to Burlington, and site of one of our favorite bookstores, the Northshire. I found us an inn just a quarter-mile up the street from the Northshire, so we were able to walk there with ease. Except for a little bit of rain on that first day, the weather was pretty nice for the whole trip.

When we left Manchester to head on up to Burlington, we took Route 30 instead of Route 7, which turned out to be not only more scenic but took us past the old marble quarry I'd stumbled upon during our last visit to the area. I thought Jeannine might like to see it, and she did. Here's a shot of Jeannine posing with one of the several piles of huge marble blocks.




Traveling through this area of Vermont gave us a small hint of the damage wreaked by Hurricane Irene, although we did not run into any closed roads. Impressively, repairs seem to have progressed at a pretty rapid clip -- it was clear that some of the roads we drove on HAD been closed until just recently, where normally placid brooks and streams had earlier turned into devouring torrents and torn through earth and pavement alike. Virtually every glimpse I got of river banks along the way showed gouged-out banks and large, tangled piles of debris, mostly trees and branches.

We stopped in MIddlebury and found a nice deli with outdoor seating for lunch, then pressed on to Burlington. There was one more stop, though, in Shelburne -- Elizabeth Bluemle, a friend of Jeannine's and a fellow writer, as well as proprietor of a very cool bookstore in Shelburne called "The Flying Pig", had expressed interest in trying out my Elliptigo (the stand up, elliptical machine-like bicycle I bought last year), so I had put it in the back of the truck along with our two bicycles (which I hoped we would use on the bike path along the lake in Burlington). 

Elizabeth got a kick out of trying the Elliptigo, but I think she was somewhat more smitten with the RANS Fusion "crank forward" bicycle. She found it comfortable and easy to ride, and said she suspected it would be more practical than the Elliptigo… and I concurred. (I think she may be ordering one right about now.)

Here's a slightly silly "mash up" photograph I created in Photoshop from two shots of Elizabeth with the bikes, the RANS Fusion on the left and the Elliptigo on the right. Thanks for posing, Elizabeth!  (And for letting me put this on my blog...!)




While in Shelburne, I thought I would see if the shop just around the corner from "The Flying Pig" might still have some of the cool bamboo salad bowls like the one I bought for Jeannine there last year… and they did! So now I have my own beautiful bamboo bowl from which to dine on salad. (And I did just that tonight.)

Our hotel room in the Hilton in Burlington had a great view of the lake... 




... and turned out to be just across the street from the Main Street Landing building where Jeannine was going to be appearing in the three events she was scheduled for.

But the first night in Burlington featured a dinner at a noisy restaurant called the Farmhouse Tap and Grill (with good food, I have to add), with five other writers and one other tagalong husband (like me) named Scott, who is married to author Kara LaReau, who sat across from Jeannine. He and I were the only guys in the group, and sat opposite each other. We had an interesting conversation (when we could hear each other over the din), and he turned out to be a really nice guy, a former car racer and a Mac user, among other things. 

Jeannine didn't have to do anything at the Festival until well after breakfast the next day, so we took our time getting up and walking over to a breakfast place called Magnolias, which I'd found on a tourist map. Jeannine had found another breakfast place called August First, so we figuratively flipped a coin and decided to go to Magnolia's on Sunday, then August First on Monday.
      Magnolia's turned out to be a somewhat funky place in a basement, but with good food. I wish I'd ordered something different, though… I was taken in by this intriguing-sounding item on the specials menu: "Carrot Cake Bread French Toast". I'd never heard of such a thing, and I spent the next few minutes trying to figure out how they had managed to combine carrot cake and bread.
Well, it turned out they really hadn't… and what I got was a HUGE pile of what was, essentially, crumbly carrot cake fried up French Toast-style. It was okay, but way too much for me to eat, and to be honest a little disappointing. I should have gotten the traditional eggs and homefries.
     (We did end up going to August First the following morning, and found it somewhat less satisfying than we thought it would be, given what we'd read about it online. I had a decent "breakfast sandwich" (eggs, cheese, bacon), but Jeannine's order of peanut butter on toast was a big let-down -- given the kind of home-made, earthy vibe the place had, she expected some kind of robust, fresh-ground peanut butter with an interesting texture... and what she got looked (and tasted) suspiciously like Skippy peanut butter out of a jar from the supermarket.)

While Jeannine headed off to the Book Festival for her first appearance (during which she read one of her picture books), I got my bike out of the truck and pedaled across the street to see what the bike path by the lake was like. It had turned out to be a beautiful day, and there were some views along the path of the lake and the mountains beyond which were quite spectacular. But other than that, it was your basic paved rail trail, with some slightly sketchy sections. Still, it was nice to be out and bicycling, seeing a few new sights. I did stop at a few places to take some photos, including one on a little beach. I liked the look of this gnarly little tree against the expanse of water.




I made it back in time to catch the last part of Jeannine's first panel discussion, which was about teen literature. Here's a shot of the three panelists -- Jo Knowles, Tanya Lee Stone, and Jeannine -- during that discussion.




That was pretty interesting, as was the next event she was part of, the "Super Panel" featuring about ten children's book writers.

Probably the most interesting (to me, anyway) question asked during that panel was something like this: "How long was it between the time you realized you wanted to write children's books and the time you actually sold one?" The answers ranged from a few months to a decade -- a good illustration of the vicissitudes of publishing, and also how timing and luck are almost as important as talent in this field. Come to think of it, in a LOT of fields.

After that panel, Jeannine signed a bunch of her books which were on sale in the lobby, and mingled with other authors and readers for a while. 




     We had discussed going for a bike ride together after her part in  the Book Festival was over -- Jeannine was curious about the bike path -- but we ended up just taking a walk uptown, to Church Street. 

Church Street is one of the neatest things about downtown Burlington -- a stretch of about four or five blocks on one avenue which have been closed off to car traffic and converted into a pedestrian mall, with lots of shops and eateries along the way. We happened upon a restaurant with some outdoor seating and took a chance on it for dinner… and it turned out to have really good food. I cannot, at this time, remember then name of the place, sadly.

We followed that up with a nice stroll back down Church Street and down the hill to the lake, where we discovered that the little ice cream and frozen treat shack near the aquarium was still open, and treated ourselves to a couple of small soft-serve cones before heading back to our hotel room to enjoy a sunset lake view.




On the drive back home the next day, we couldn't help but stop at the Northshire in Manchester again, this time so Jeannine could get in some of her morning writing time while enjoying a latte and one of the Northshire's cafe's baked goods. While she was doing that, I went off on a mission to find more Abe Lincoln stovepipe hats.

Let me back up for a minute -- the previous year, we had visited the Hildene estate, the former home of President Abraham Lincoln's son Robert Todd Lincoln, which is not far from the center of Manchester. It's a very cool place, and in the gift shop there, Jeannine found something she'd been looking for -- an inexpensive version of Lincoln's famed stovepipe hat. She has since used it as a prop when she does talks about her book "Mary Anning and the Sea Dragon", about the young girl in Lyme Regis, England, who discovered some of the earliest and best specimens of prehistoric ocean life… and while prospecting for these fossils in and around the cliffs of Lyme Regis, would wear a stovepipe hat to protect her head from falling rocks.

The hat Jeannine got last year has held up well, but she has been concerned that it might suffer some kind of damage or get lost, and she has not seen these types of props for sale anywhere else. So I figured, why not look where she'd found the first one?

So, while Jeannine was writing, I did… and sure enough, they had five of the hats in the gift shop at Hildene. Success! I ended up buying all of them… and some maple-flavored popcorn for the rest of the ride home, as well. -- PL

Friday, September 9, 2011

More underwater images

I got another chance this past weekend to play with my underwater digital camera, and I think I am learning a bit more about how to use it. I'm still not completely on top of all its bells and whistles, but one thing I did learn was that I have to be extra careful about holding the camera steady as I am taking the shot. It seems that the "mode" setting for taking photos underwater is more sensitive to movement that the regular "Best Picture" setting.

In any event, it's still a lot of fun, and there is something slightly "otherworldly" about the colors and lighting in these photos -- even the ones of common seaweed and rocks and snails -- that really appeals to me. Here's a sampling:
















I was excited to find a small living starfish in one tidal pool, though I couldn't quite get the shots of it I wanted. I do like the texture of the starfish's "arm" as seen in this one, however.




There is something cool about getting in the water and pointing the camera slightly up so as to capture the underwater reflection of the water's surface.







I even used that technique to take this "self portrait" shot -- not too exciting, but it's kind of neat to see those few random bubbles floating mysteriously across what might seem like an ordinary photo.




While we were at the ocean, Jeannine braved the cold water and repeatedly dove into the waves, doing the body-surfing thing. I like this image I caught just as a big wave broke over her.



It was pretty nifty to be able to stand in the ocean up to my stomach, with a camera in the pocket of my swim trunks that I could pull out at any moment to take a shot. Thank you to the clever camera engineers who made such a thing possible! -- PL

P.S. For anyone interested in knowing more about the camera with which I took these photos, here's the link to the amazon.com page for it:

http://www.amazon.com/gp/product/B004MKNJEI/ref=wms_ohs_product_T2

and a photo of the camera itself:

Wednesday, September 7, 2011

Wooden birds

Last week, on the spur of the moment, Jeannine and I -- along with our friends Dan and Jess Berger -- took a trip down to the New Britain Museum of American Art in New Britain, CT. Jeannine and I had been to this museum once before, to see a show of M. C. Escher's work, but Dan and Jess had not been to it... nor had they eaten at Arugula in West Hartford (our dinner destination after checking out the museum). There were a couple of new exhibits, one featuring a realist painter named Sarah Lamb and another titled "One Man’s Passion: The Art of Carved Birds" which included over sixty objects from the collection of J. Kemler “Kem” Appell, one of the leading collectors of miniature decorative bird carvings.


I expected to be more interested in the former, and the paintings were very nice (especially the still life with olives), but I was blown away by the exhibit of bird carvings. 








The sculpting -- and painting -- talent displayed in these pieces was just astonishing. Not only were the birds accurately rendered in form and color, but the bits of environment in which they were displayed as well. 






And although many of the carved birds appeared to be perched on real branches, those perches were actually carved and painted to APPEAR to be real branches.












But the thing that really impressed me the most was this display.








When I first saw it, I thought it was interesting that the sculptor had found some common objects on which to pose the carved birds. However, when I looked closer and read the display card, I was flabbergasted to find out that ALL of these objects were carved and painted to look like the real things. And they surely did! Check out this detail from the above photo to see what I mean:








After wandering around the museum for a while more, we headed off to Arugula, the Mediterranean restaurant in West Hartford, where Jeannine once again got one of their amazing flatbread "pizzas", this time featuring asparagus and sun-dried tomatoes. 








And yes, it was as yummy as it looked! -- PL